29 January- 30 May 2016. 0000001530 00000 n 0000007434 00000 n Our first Discover post examines the artists Hajra Waheed and Reuben Martin De Lucas and how they interpret displacement. Next Previous. Waheed was born in Canada but spent her childhood in Saudi Arabia. Her concern with the expatriate experience, issues of security and surveillance, the construction of identity and experiences of war are juxtaposed in the series of collages Waheed has constructed on the faded pages of the Scrapbook Project, 2010 – 2011. It was a fluid period in the country’s history. Minutes from a Second Story runs through November 2, 2013. artist hajra waheedcentre a gallery vancouverjohn thomsonscrapbook project. q�7�� CT��`%�k��A`b��i%v�n�?L`�o,.��z\�糌`�s�s�j�XM����3�e� ���E�7���B|���:�؃cq��T��鈤U?`ǯ%�yp�_ ;g�_\���gV8dfI��l960��-��6��սm!�#��\�ekOHsF�B{S��4�-J�uB�EM A4�KE��91+:E�"&!Je�+N��_���R��ir�:#Xx��Ƙo��7�h��.�V��4��,���B�=�B���yހ�b_!���G�8�0NV��͂W�6��K:�������ȓ�X�����E|�8Al(pGy3��E�������@�(�e��ޅ0x5>0�::c ������u�L٩�K9��CQ�y� ��~z�|��B� Video Installation Project 1-10 (2011-2013) is a sequence of 10 vignettes filmed between 2011 and 2013 in locations where photographic and videographic documentation is prohibited. This allusion to museum display invites an examination of each collage as if it were an artifact with, however, the time and place of … Having found my passion in IMC, Advertising, Digital Marketing, Branding, PR, Project Management, and Graphic Designing, I wish to pursue such lines of work in my future career. For Montreal artist Hajra Waheed, it took decades to gather her thoughts and encapsulate them in a mixed media art work called The Scrapbook Project, part of her larger installation Minutes from a Second Story, currently on view at Vancouver’s Centre A Gallery. 1980) Expansion Chart: Mecca 1-11 Xylene, ink and graphite on paper 11 x 8½ inches (each) Hajra Waheed’s multidisciplinary practice ranges from painting and drawing to video, sound, sculpture and installation. The Scrapbook Project 2010-2011 Draw a special someone. 12:00 AM Waheed keeps her distance, letting the video make the point that the times may have changed but certain paradoxes remain. The Scrapbook Project… The Power Plant presents Hajra Waheed’s most ambitious project to date. The Swimming Pool Series is an ongoing taxonomical study of four swimming pools built, owned and maintained by Saudi ARAMCO on each of the oil company’s four separate compounds: Dhahran (Saudi ARAMCO’s administrative headquarters), Ras Tanura (the oldest refinery and company port on the Persian Gulf Coast), Abqaiq/Biqayq (home to the company’s oil processing facility), […] Her artwork can also be seen in a Green Cardamom-organised group exhibition called “ … What holds a scrapbook together is not the blank support offered by its pages to various materials, or its binding, which, whether cheap or dear, will always one day fail. The Scrapbook Project was Hajra Waheed’s first UK solo exhibition. Digital Archive. For Montreal artist Hajra Waheed, it took decades to gather her thoughts and encapsulate them in a mixed media art work called The Scrapbook Project, part of her larger installation Minutes from a Second Story, currently on view at Vancouver’s Centre A Gallery. trailer <]/Prev 304885>> startxref 0 %%EOF 76 0 obj <>stream Primary school interior design in London by Gavin Hughes. Wabi Sabi: Nothing lasts, nothing is finished and nothing is perfect! 0000028530 00000 n None of the work is staged; all vignettes are filmed from an observational […] Hajra Waheed. collection of ongoing video works and The Scrapbook Project 1/3 2010-11. h�b```e``��������A��2l@q�E Her scrapbook is both personal and historic. Centre A: Hajra Waheed, "Minutes from a Second Story" Sep 13, 2013 11:00 AM to Nov 2, 2013 6:00 PM. Static, that is, except for flashes of humanity that ripple through the frame. 0000022297 00000 n This time, instead of recreating past memories from found pictures, she set out to record the here and the now. 0000031178 00000 n 0000068572 00000 n Amongst other issues, she explores the nexus between security, surveillance and the covert networks of power that structure lives, while also addressing the traumas and alienation of displaced subjects affected by legacies of colonial and state violence. Who are those people in the water? H er methods of creation draw on materials from real facts such as the US Hexagon programme in KH-21 (2014), to the refugee crisis in Sea Change, and the experience of military surveillance in the Saudi-ARAMCO ’s walled community (where the artist lived) featured in The Scrapbook Project (2010-2011). 0000004644 00000 n Her father worked for ARAMCO, the Saudi oil company, and young Hajra grew up in a gated community exposed to two cultures, her westernised home life and the conservative Saudi one. The Scrapbook Project is a distinctive collection of images comprised of iconic magazine photos, collage, photo transfers and drawings. Hajra Waheed, Sea Change Chapter 1 - Character 1: In the Rough, A Short Film 1-331 (installation detail), 2014, Cut-Film Collage in 2.25" Negative Glass Slide, Slide Viewer in Hand-Made Wood Casing, Pedestal. EXHIBITION EVENT: Hajra Waheed will be in conversation with Professor Steve Graham, Professor of Cities and Society, University of Newcastle at 16.00 on Friday 29 January 2016 at BALTIC Centre for Contemporary Art, Gateshead. The Scrapbook Project, 2010-11, Mixed Media on Paper, 34 Pages Fear Brings About 1-5 , 2010, Detail: 2/5, Collage, Pencil, Ink and Acrylic on Graph Paper Swimming Pool Series (1-4) , 2010, Xylene Transfer and Colour Pencil on Graph Paper The Gallery has removed her individual pages, framed them and presented them in linear form which, when read in chronological order, create an evolutionary tale recalling both the pleasant memories of childhood and the paradoxical ones that became more apparent to her as she was growing up.. Scrapbooks are time capsules compiled on the fly and jam-packed with personal mementoes. Taking photographs was frowned upon and other than a few drawings Hajra made in her sketchbook, the young Canadian had no record of her stay. View the profiles of people named Hajra Waheed. Opening: Saturday, 10.10.15, 17–19 h Through the optics of violence – to what extent does digital technology realistically convey the textures of a planet, a star, a cosmos, or a gated community? “It was during my most formative years,” she says, “that I began studying this place with a discerning eye. Over recent years, Waheed’s work has comprised partly of producing single and multi-page visual diaries whose primary purpose is to reconstruct personal and popular histories, narratives and memories that reference her many lived experiences between the Middle East and North America. ���(`u�����L ����Bʈqؚ3�#d�0�#U��wd5��{��Q p5�q(������7-���jv���ˌ����x ����,�0��� “The Scrapbook Project“, a solo exhibition of Hajra Waheed’s most recent work and the artists first in the UK, will be on display at Green Cardamom in London until 9 March 2012. 0000016221 00000 n 0000016332 00000 n uses old and faded sketchbook pages. Sea Change (2013 - ) was conceived by the artist as a long term project, a life-long meditation. Seeking out an exciting opportunity in the desired suitable positions (Mentioned on my profile) in an ambitious company with a forward-thinking mindset. 0000000656 00000 n MoMA collects numerous drawings by Hajra Waheed. Hajra Waheed: The Cyphers. Centre A, Vancouver International Centre for Contemporary Asian Art. The result is a series of video postcards perfectly composed, static and observational. Her concern with the expatriate experience, issues of security and surveillance, the construction of identity and experiences of war are juxtaposed in the series of collages Waheed has constructed on the faded pages of the Scrapbook Project, 2010 – 2011. In The Scrapbook Project (2010-2011), Waheed in fact used this form more directly when she filled thirty-four pages of an old scrapbook with images and then opened it up to the gallery walls. 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Tag Archives: The Scrapbook Project. This site uses Akismet to reduce spam. 0000001495 00000 n The Cold War had ended and the first Gulf War had not yet begun. October 2, 2013. Learn how your comment data is processed. 59 0 obj <> endobj xref 59 18 0000000016 00000 n Waheed was born in Canada but spent her childhood in Saudi Arabia. These micro-narratives, developed as discrete exercises in observation, capture beauty in the banal and surprise in routine. The Video Installation Project 1-10 15 02 2017 au 17 09 2017. Based in Vancouver, he is a well-known contributor to many local, regional and national specialty magazines. Hajra Waheed (b. The region was militarising and political tensions were rising. Hajra Waheed, The Video Installation Project 1-10 : Fayaz, 2011-2013 HD Video, 1/3, 33 min 14 s Collection of the Musée d'art contemporain de Montréal Photo: Paul Litherland. Heavy, walnut frames constitute the second part of the exhibit found pictures she... 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